Murry
had met Mary as early as 1932 when she wrote to him, full of admiration
after reading his books and listening to one of his lectures. In
the years that followed there were several meetings - they were
both involved with the Peace Pledge Union - and an intermittent
correspondence until 1939 when the relationship suddenly deepened.
The tragedy of Murry’s marriage to Betty and the fiasco of
his relationship with Helen Young threw him into an emotional crisis.
He wrote to Mary: ‘My hunger for a woman who will be gentle
towards me grows month by month. And destiny has determined that
the woman is you.’ The letter is full of Murry’s need.
‘Maybe it is only that I am tired, tired, tired. But that
is what I want from you - rest from my weariness; the beating of
my heart tells me that you are capable of the tenderness of love,
and you have this wonderful and precious thing to give me . . .
I want, I need terribly, to believe in love between a man and woman
again.’ Not a single line offers Mary anything, but like all
the other intelligent, independent women before her, Mary thought
John Murry worth the sacrifice - ‘I wanted to take care of
him forever; I felt that in my arms he was safe.’ She became
his lover and they took a room together in London, although it took
another two years before Murry was able to disengage himself from
Betty and officially live with her. Mary’s one condition was
that her friend Val, who had lived with her for more than ten years,
should be part of the package. Murry is reported to have groaned
‘Oh god, not another Baker!’
A year after Murry abandoned Betty, his eldest
daughter ran away from her step mother and came to live with Murry
and Mary. A couple of years later his son Colin came too and Murry
was in a position to try to make amends for his earlier behaviour
towards his older children. His youngest son and daughter - Betty’s
children - were not so fortunate.Far from being jealous of Katherine
Mansfield and Murry’s devotion to her, Mary was actually grateful
for Katherine’s influence on him. ‘Last night I came
across these words of K.M. “At the end Truth is the only thing
worth having; it is more thrilling than love, more joyful, and more
passionate.” And as I read them I remembered how much John
and I owed to Katherine. . . Oh Katherine, I never knew you, but
so often I feel eternal gratitude for what you were.’ Katherine’s
writings, and Murry’s about her, became Mary’s bible
in her struggle to understand her husband. There were many other
links to the past in their relationship. Katherine’s doctor,
who had also attended Violet, was Mary’s doctor. The friend
who had taken Violet in just before her death, was also one of Mary’s
best friends.
Murry claimed to have finally achieved domestic
happiness with Mary. He wrote in a letter that ‘Never . .
has any woman given me such total and entire happiness as you have
done.’ He credited this - not to his fourth wife’s absolute
devotion to his needs - but to the influence of his first wives.
‘I can see Katherine and Violet lifting their eyebrows at
one another when I write this: but they do it in a laughing, gay
kind of way; and they quite agree. They say to one another: “But
we taught him how to love.” And that’s true.’
Murry repeatedly compared his marriage to Mary
with his relationship with Katherine. On their wedding day in 1954
he made a long entry in his diary comparing the two, very different,
events. ‘The memory of my wedding to Katherine is a memory
of the anguish, not the happiness of love. Yet today it seems that
my wedding day is overflowing with happiness . . . it is extraordinary.
Yet I firmly believe this happiness has grown out of that anguish.’
It was to Mary that he handed down the task of
keeping the Mansfield torch alight when he died in 1957. By then
his former life with Katherine Mansfield had begun to seem more
and more like an idyll. He had even re-visited the villa they had
occupied in Bandol, accompanied by Mary, a few months before his
final heart attack. Shortly before he died he wrote; ‘I ask
myself: “have I kept faith with my darling?” And I feel
deep in my soul a great joy, because I know that I have. And then
I feel strangely that I am in touch with her . . . it is as though
she gazed into my soul . .’
He had also begun to look back on what he himself
had achieved. ‘I do have moments of resentment and a sense
of injustice . . . [although] I do not feel any overwhelming conviction
of my significance as a writer. It’s possible . . . That I
have simply dropped out of the picture, because I have not enough
interestingness to be kept in it. Nevertheless, I do feel twinges
of resentment, and a rather stubborn feeling that I am not quite
so negligible as all that.’ Just before he died he acknowledged
that ‘I have made of Love all of my religion. . . To search
for . . the reconciliation of Heart, Mind, Emotion and Intellect
- I have sacrificed whatever talent for art I possessed.’
It was an answer to those who questioned whether he should have
spent so much time promoting Katherine’s reputation at the
expense of his own writing.
Murry was still talking about Katherine as he lay
in his hospital bed. Katherine, he said, would understand that he
was ready for death. She would have given him permission to go when
others - particularly Mary - were begging him not to leave. That
Katherine’s presence should have been so strongly felt at
his bedside is not surprising in view of the fact that he had spent
thirteen turbulent years with the living Katherine Mansfield and
thirty four with the legend he’d created. It was his most
enduring personal relationship. |